PS (2025)

Experimental audiovisual work of art. First I used an individually prepared (manipulated) CRT (analog) television, then digital editing followed. This piece refers to the birth of video art when the images were modified with a magnet. The sound / noise was also generated by the magnet, so it is a real-time audiovisual improvisation / 'comprovisation'. Aesthetics of error and visual music where you can almost see what you can hear.